3814 безплатни аудиофайлове за "Jr. And Csm Debra L. Mcgarity"

Wagner, Tristan Prelude, opening

Erlkonig, arrangement by Berlioz

Minor version of the theme

Erl King - Berlioz version for audio replacement

Coronation scene from Boris Godunov

Mussorgsky, the Hut on Fowl's legs

Cloches a travers le feuilles

March to the Scaffold bars 1-4 for audio

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A Major Scale, Triads, and Fifths Just

From Schubert, "Erlkonig"

Schumann Prophet Bird from Waldszenen

Tchaikowsky Symphony 6, finale bars 1-6

Golliwogg's cake-walk bars 1-2

Buxtehude, Psalm 42 "Quem ad modum desiderat cervis"

Contrapunctus VII from Bach's Art of Fugue

*Hundred-seventeenth subharmonic on C = D-. Just: 128/117 = 155.56 cents. Limit: 31-limit. MIDI pitch bend: 99,49

Home Sweet Home

Harmonic Scale chromatic on C.

Primary triad in C in just intonation. Created by Hyacinth (talk) 11:17, 22 December 2011 (UTC) using Sibelius 5.

King Numpty and his Knights (Part 2) by TRG Banks

King Numpty and his Knights (Part 1) by TRG Banks

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

Habanera rhythm.

Habanera tresillo rhythm for comparison with 3:2 polyrhythm.

Habanera rhythm (tresillo) and 3:2 polyrhythm alternating for comparison.

Lifeling by TRG Banks

3:2 polyrhythm for comparison with the Habanera tresillo rhythm.

Cuerdas al aire de un charango Richter (temple natural: 1º mi, 2º la, 3º mi, 4º do, 5º sol).

Ivor's Shop by TRG Banks

Chopin Nocturne in F minor

Octatonic bars from Sarabande from English Suite No 3

Variant of the Habanera rhythm.

Phrase segments in Beethoven Opus 68 I

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

6/8 clave, third form (rumba clave)

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

6/8 clave, second form (son clave)

Wohlbekannte Melodie mit Oktavsprüngen

Standard bell pattern.

{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}

Rumba Clave Pattern in duple time.

Son Clave Pattern in triple time.

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).

langsamere Variante der authentischen Kadenz